Film studio

A film studio (also known as movie studio or simply studio) is a major entertainment company or motion picture company that has its own privately owned studio facility or facilities that are used to make films, which is handled by the production company. Most firms in the entertainment industry have never owned their own studios, but have rented space from other companies.

There are also independently owned studio facilities, who have never produced a motion picture of their own because they are not entertainment companies or motion picture companies; they are companies who sell only studio space.

The largest film studio in the world is Ramoji Film City, in Hyderabad, India.

Contents

 * 1Beginnings
 * 2The "majors"
 * 3The minors
 * 4The independents
 * 5Typical components
 * 6Film to television
 * 7Today
 * 8Independent film and the studios
 * 9See also
 * 10References
 * 11External links

Beginnings[edit]
The Babelsberg Studio near Berlin was the first large-scale film studio in the world and the forerunner to Hollywood. It still produces movies every year.

In 1893, Thomas Edison built the first movie studio in the United States when he constructed the Black Maria, a tarpaper-covered structure near his laboratories in West Orange, New Jersey, and asked circus, vaudeville, and dramatic actors to perform for the camera. He distributed these movies at vaudeville theaters, penny arcades, wax museums, and fairgrounds. The first film serial, What Happened to Mary, was released by the Edison company in 1912. The pioneering Thanhouser film studio was founded in New Rochelle, New York in 1909 by American theatrical impresario Edwin Thanhouser. The company produced and released 1,086 films between 1910 and 1917, successfully distributing them around the world.

In the early 1900s, companies started moving to Los Angeles, California. Although electric lights were by then widely available, none were yet powerful enough to adequately expose film; the best source of illumination for motion picture production was natural sunlight. Some movies were shot on the roofs of buildings in Downtown Los Angeles. Early movie producers also relocated to Southern California to escape Edison's Motion Picture Patents Company, which controlled almost all the patents relevant to movie production at the time.

The first movie studio in the Hollywood area was Nestor Studios, opened in 1911 by Al Christie for David Horsley. In the same year, another 15 independents settled in Hollywood. Other production companies eventually settled in the Los Angeles area in places such as Culver City, Burbank, and what would soon become known as Studio City in the San Fernando Valley.

The "majors"[edit]
Further information: Major film studio

The Big 5

By the mid-1920s, the evolution of a handful of American production companies into wealthy motion picture industry conglomerates that owned their own studios, distribution divisions, and theaters, and contracted with performers and other filmmaking personnel, led to the sometimes confusing equation of "studio" with "production company" in industry slang. Five large companies: RKO Radio Pictures, 20th Century Fox, Paramount Pictures, Warner Bros., and Metro-Goldwyn-Mayer came to be known as the "Big Five," the "majors," or "the Studios" in trade publications such as Variety, and their management structures and practices collectively came to be known as the "studio system".

The Little 3

Although they owned few or no theaters to guarantee sales of their films, Universal Pictures, Columbia Pictures, and United Artists also fell under these rubrics, making a total of eight generally recognized "major studios". United Artists, although its controlling partners owned not one but two production studios during the Golden Age, had an often-tenuous hold on the title of "major" and operated mainly as a backer and distributor of independently produced films.

The minors[edit]
Smaller studios operated simultaneously with "the majors." These included operations such as Republic Pictures, active from 1935, which produced films that occasionally matched the scale and ambition of the larger studio, and Monogram Pictures, which specialized in series and genre releases. Together with smaller outfits such as PRC TKO and Grand National, the minor studios filled the demand for B movies and are sometimes collectively referred to as Poverty Row.

The independents[edit]
The Big Five's ownership of movie theaters was eventually opposed by eight independent producers, including Samuel Goldwyn, David O. Selznick, Walt Disney, Hal Roach, and Walter Wanger. In 1948, the federal government won a case against Paramount in the Supreme Court, which ruled that the vertically integrated structure of the movie industry constituted an illegal monopoly. This decision, reached after twelve years of litigation, hastened the end of the studio system and Hollywood's "Golden Age".

Typical components[edit]
By the 1950s, the physical components of a typical film studio had become standardized. Since then, a film studio has usually been housed inside a physically secure compound with a high wall, which protects filmmaking operations from unwanted interference from paparazzi and crazed fans of leading movie stars. Movement in and out of the studio lot is normally limited to specific gates (often capped with grand decorative arches), where visitors must stop at a boom barrier and explain the purpose of their visit to a security guard.

The sound stage is the central component of a studio lot. Most film studios have several; small studios may have as few as one, and large studios have as many as 20 to 30. Film studios also provide office space for studio executives and production companies, and makeup rooms and rehearsal rooms for talent. If space allows, a studio may have an outside backlot. Finally, there is a studio "commissary", which is the traditional term in the film industry for what other industries call a company cafeteria.

In addition to these basic components, the largest film studios are full-service enterprises offering the entire range of production and post-production services necessary to create a motion picture, including costumes, props, cameras, sound recording, crafts, sets, lighting, special effects, cutting, editing, mixing, scoring, ADR, re-recording, and foley. Independent suppliers of all these services and more (e.g., photographic processing labs) are often found in clusters in close proximity to film studios.

Nitrate film, manufactured until 1951, was highly flammable, and sets and backlots were and still are very flammable, which is why film studios built in the early-to-mid 20th century have water towers to facilitate firefighting. Water towers "somewhat inexplicably" evolved into "a most potent symbol ... of movie studios in general."

Film to television[edit]
Halfway through the 1950s, with television proving to be a lucrative enterprise not destined to disappear any time soon—as many in the film industry had once hoped—movie studios were increasingly being used to produce programming for the burgeoning medium. Some midsize film companies, such as Republic Pictures, eventually sold their studios to TV production concerns, which were eventually bought by larger studios, such as the American Broadcasting Company which was purchased by Disney in 1996.